{"id":2220,"date":"2024-09-12T21:24:26","date_gmt":"2024-09-12T20:24:26","guid":{"rendered":"https:\/\/freedance.hr\/kdf-eng\/?p=2220"},"modified":"2024-09-12T21:38:55","modified_gmt":"2024-09-12T20:38:55","slug":"staying-alive-kdf014","status":"publish","type":"post","link":"https:\/\/freedance.hr\/kdf-eng\/staying-alive-kdf014\/","title":{"rendered":"Staying Alive @KDF014"},"content":{"rendered":"\n

Staying alive, the latest work of choreographer Jasna L. Vinovrski, reflects upon the issues\u2028of order and control in migration of human and non human entities. It questions how the\u2028juridical apparatus of the law, which today has a crucial role in the control of the migration\u2028processes, has been affected and perpetuated by the production of knowledge and\u2028discourse around the subject of migration. Throughout this process, the I-pad as a personal\u2028technological device, has had a very important role as an agent of control over the\u2028performers body. Gradually the body enters the state of stress, which persists and increases\u2028throughout the whole piece. Constantly, fragile and precarious situations are re-produced for\u2028the performer, reflecting a permanent state of emergency\u2018:\u2028The tradition of the oppressed teaches us that the \u2018state of emergency\u2019 in which we live is\u2028not an exception but the rule. We must attain a conception of history that is in keeping with\u2028this insight. \u2013 Walter Benjamin
\u2028This work was created within the larger project \u201cMigrant Bodies\u201d, which was supported by\u2028the programme EU Culture 2007-2013.
\u2028Credits:\u2028Idea, choreography & performance: Jasna L. Vinovr\u0161ki\u2028Collaborators: Mini I Pad, the books\u2028Music: Bee Gees \u201cstaying alive\u201d\u2028Photos: Ginelle Chanon\u2028This production is part of the project \u201cMigrant Bodies\u201d, which is supported by the programme\u2028EU Culture 2007-2013.\u2028Press, critics: https:\/\/jasnavinovrski.com\/text\/press\/staying-alive<\/p>\n\n\n\n


Spectacle: MIGRANT BODIES \u2013 Staying alive, Id\u00c8e, chor\u00c8graphie et performance: Jasna L. Virnovrski, Musique: Bee Gees, Dans le cadre de la Biennale de Danse du Val-de-Marne, Lieu: La Briqueterie, Vitry-sur-Seine, le 21\/03\/2015<\/p>\n\n\n\n

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Spectacle: MIGRANT BODIES – Staying alive, Id\u00c8e, chor\u00c8graphie et performance: Jasna L. Virnovrski, Musique: Bee Gees, Dans le cadre de la Biennale de Danse du Val-de-Marne, Lieu: La Briqueterie, Vitry-sur-Seine, le 21\/03\/2015<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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JASNA L. VINOVR\u0160KI\u2028<\/p>\n\n\n\n

Jasna is a performance artist, choreographer and lecturer who grew up in Zagreb and has\u2028emigrated since the collapse of Yugoslavia. She came to study at the Folkwang School in\u2028Essen in the early 1990s. After graduating, she worked for twelve years as a dancer and\u2028performer with various European choreographers. At the same time, she developed her own\u2028short pieces, one of which, \u201cWhich Club?\u201d, won several awards. In 2008, she moved to\u2028Berlin, where she founded cie Public in Private with her partner Cl\u00e9ment Layes; under this\u2028umbrella, the two create works in their own unique style in close artistic and practical\u2028collaboration. Jasna has been invited to many European countries, Canada and the USA\u2028with her works \u201cStaying Alive\u201d, \u201cLady justice\u201d and \u201cHealers\u201d. Her work focuses on the\u2028relationship between the individual and social structures. The majority of her work deals with\u2028questions of bureaucratic mechanisms in dealing with the migration of people. In addition to\u2028her artistic work, Jasna Kultur is politically engaged through volunteer work in the ZTB\u2028(Zeitgen\u00f6ssische Tanz Berlin), in the Workgroup Tanz und Elternschaft, the Workgroup\u2028Dance funding as well as in community work by organising the event series 3AM, Montag\u2028Modus Klimata and Flutgraben Performances, which have hosted over 150 Berlin artists and\u2028reached large number of audience.\u2028Website: www.jasnavinovrski.com
Public in Private is a Berlin-based dance company and the umbrella under which the works\u2028of Cl\u00e9ment Layes and Jasna L. Vinovr\u0161ki are produced. Since its foundation in 2008, the Cie\u2028has collaborated with hundreds of venues across Europe and North America, including the\u2028most prestigious ones such as \u201cTheatre de la Ville\u201d (France), \u201cKaai Theater\u201d (Belgium),\u2028\u201cWalker Art Center\u201d (UeA) or the \u201cVenice Biennale\u201d (Italy).\u2028In Berlin, they have worked with the Sophiensaele, Tanzfabrik and Tanznacht and have\u2028performed in Potsdam, Bremen, Hamburg, Chemnitz and many other places in Germany.\u2028Public in Private has been funded by the Berlin Senate or the HKF since 2012 for dance\u2028projects such as \u201cThings That surrounds Us\u201d, \u201cDreamed Apparatus\u201d, \u201cAllege\u201d, \u201cModal Verbs\u201d\u2028and \u201cHealers\u201d. From 2017 until the end of 2021, Public in Private received \u201cbasic funding\u201d\u2028which only a few extraordinary companies in Berlin can receive. In 2011, the Comoanie also\u2028installed a dance studio at Flutgraben, the PIP Studio, which was used for rehearsals, but\u2028also became a venue for events and residencies for other artists with other rooms at\u2028Flutgraben. Since 2020, the studio has hosted a residency program funded by the Berlin\u2028Senate: Flutgraben Residences. Both artists regularly teach in Germany and international\u2028contexts. In 2020, the publication 12 Years Public in Private was released.\u2028www.publicinprivate.com<\/p>\n","protected":false},"excerpt":{"rendered":"

Staying alive, the latest work of choreographer Jasna L. Vinovrski, reflects upon the issues\u2028of order and control in migration of human and non human entities. It questions how the\u2028juridical apparatus of the law, which today has a crucial role in the control of the migration\u2028processes, has been affected and perpetuated by the production of knowledge… Continue reading Staying Alive @KDF014<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":2224,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","entry"],"_links":{"self":[{"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/posts\/2220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/comments?post=2220"}],"version-history":[{"count":4,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/posts\/2220\/revisions"}],"predecessor-version":[{"id":2228,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/posts\/2220\/revisions\/2228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/media\/2224"}],"wp:attachment":[{"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/media?parent=2220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/categories?post=2220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/freedance.hr\/kdf-eng\/wp-json\/wp\/v2\/tags?post=2220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}