{"id":2367,"date":"2024-09-09T12:27:31","date_gmt":"2024-09-09T11:27:31","guid":{"rendered":"https:\/\/freedance.hr\/kdf-hr\/?p=2367"},"modified":"2024-10-03T16:25:11","modified_gmt":"2024-10-03T15:25:11","slug":"staying-alive-kdf014","status":"publish","type":"post","link":"https:\/\/freedance.hr\/kdf-hr\/2024\/09\/09\/staying-alive-kdf014\/","title":{"rendered":"Staying Alive @KDF014"},"content":{"rendered":"\n


16. 10. 2024. \u2502 20.00 \u2502GK Zorin dom<\/strong> *<\/p>\n\n\n\n

STAYING ALIVE \/ OSTATI  \u017dIV<\/strong> @ Jesenska edicija Karlovac Dance Festivala<\/p>\n\n\n\n

autorica i izvo\u0111a\u010dica<\/strong>: Jasna L. Vinovr\u0161ki
suradnici<\/strong>: Mini iPad, knjige \/ mini iPad and the books
Predstava je nastala u okviru projekta “Migrant Bodies”, uz potporu programa Europske Unije Kultura 2007-2013. <\/p>\n\n\n\n

Produkcija: Public in Private company \/Berlin, Njema\u010dka<\/strong><\/p>\n\n\n\n

Staying alive<\/strong>, najnovija koreografija Jasne L. Vinovr\u0161ki, bavi se pitanjima reda i kontrole u migraciji ljudskih i ne-ljudskih entiteta, istra\u017euju\u0107i na koji su na\u010din znanje i debate o migraciji utjecale na pravosudni aparat koji danas ima klju\u010dnu ulogu u nadziranju migracijskih procesa.
\u017dena u urednom poslovnom kostimu zasipa nas pravnim \u017eargonom. Nji\u0161u\u0107i se na hrpi knjiga naslaganih jedna na drugu i ovisna o svom iPad-u, dovodi se u osjetiljve, nesigurne situacije. Suptilan humor i brojni apsurdi sve su izra\u017eeniji dok izvo\u0111a\u010dica malo pomalo upada u krizno stanje o kojem W. Benjamin ka\u017ee: \u201ePovijest potla\u010denih u\u010di nas da \u2018krizno stanje\u2019 u kojem \u017eivimo nije iznimka nego pravilo\u201c. 
\u201eUz glazbu Bee Gees-a, Jasna se bavi problemom migracije s toliko \u0161arma, duhovitosti i jednostavnosti koja proizlazi iz njezina dva scenska rekvizita (iPad-a i knjige), da se gledatelj mora smijati, plakati i osjetiti strahopo\u0161tovanje, sve u isto vrijeme. Genijalno.\u201c <\/p>\n\n\n\n

Wieke Eringa, umjetni\u010dka direktorica Yorkshire Dance-a<\/p>\n\n\n\n

Zasluge:<\/p>\n\n\n\n

Ideja, koreografija i izvedba: Jasna L. Vinovr\u0161ki Suradnici: Mini I Pad, knjige<\/p>\n\n\n\n

Glazba: Bee Gees “staying alive”<\/p>\n\n\n\n

Fotografije: Ginelle Chanon<\/p>\n\n\n\n

<\/p>\n\n\n\n

Ova produkcija dio je projekta “Tijela migranata” koji je podr\u017ean u okviru programa EU Culture 2007-2013.<\/p>\n\n\n\n

Karlovac Dance Festival<\/strong> odr\u017eava se pod pokroviteljstvom Ministarstvo kulture i medija RH,  Grada Karlovaca, EU Kreativne Europe i uz financijsku podr\u0161ku Zaklade Kultura nova. <\/p>\n\n\n\n

Vi\u0161e o KDF programima: <\/strong>https:\/\/freedance.hr\/kdf-hr\/<\/p>\n\n\n\n

Organizacija i produkcija: Centar za plesnu i izvedbenu umjetnost F.R.E.E. D.A.N.C.E. Karlovac<\/p>\n\n\n\n

<\/p>\n\n\n\n

ULAZNICE*<\/p>\n\n\n\n

* Cijene ulaznica za programe gostuju\u0107ih predstava u sklopu programa Karlovac Dance Festival
Predstave u GK Zorin dom<\/strong>

\u2013 odrasli 7 EUR
\u2013 djeca, mladi i studenti 4 EUR
– umirovljenici i osobe s invaliditetom: 4 EUR<\/p>\n\n\n\n

Organizirani posjeti<\/strong>
– vi\u0161e od 10 osoba \u2013 4 EUR\u2013 

Rezervacija ulaznica: info@freedance.hr<\/a>
Podizanje ulaznica na blagajni GK Zorin dom na dan izvedbe (SAT VREMENA PRIJE PO\u010cETKA PROGRAMA)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Spectacle: MIGRANT BODIES – Staying alive, Id\u00c8e, chor\u00c8graphie et performance: Jasna L. Virnovrski, Musique: Bee Gees, Dans le cadre de la Biennale de Danse du Val-de-Marne, Lieu: La Briqueterie, Vitry-sur-Seine, le 21\/03\/2015<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Jasna L. Vinovr\u0161ki <\/strong>je  izvo\u0111a\u010dica, koreografkinja, plesna pedagoginja. Odrasla u Zagrebu, gdje je stekla svoja prva iskustva u struci suvremenog plesa i gdje le\u017ee korijeni njezina umjetni\u010dkog stvarala\u0161tva. \u017divi i radi u inozemstvu, ali s Hrvatskom ostaje trajno povezana. U ranim 1990-ima studirala je u Essenu, na Umjetni\u010dkoj akademiji Folkwang  te je, nakon \u0161to je diplomirala, radila 12 godina kao plesa\u010dica i izvo\u0111a\u010dica s raznim europskim koreografima (Groupe Dunes, J. Sch\u00f6mer, C. Sagna, O. Duboc izme\u0111u ostalih). Tijekom tog perioda je osmislila svoje prve kra\u0107e koreografije, uklju\u010duju\u0107i i solo rad \u201eWhich club?\u201c, koji je osvojio nekoliko nagrada. Nakon preseljenja u Berlin 2008 sa svojim partnerom Cl\u00e9mentom Layesom osniva kompaniju Public in Private<\/em><\/a> gdje oboje do dana\u0161njeg dana nastavljaju razvijati odvojene koreografske signature, uz neprekidnu usku suradnju. Kao umjetnicu, zanimaju je problemi povezani s birokratskim strukturama i pitanja identiteta unutar tih struktura.Jasna stje\u010de 2012 godine MA iz koreografije na fakultetu Centra za ples Inter-U (HZT) u Berlinu. Njezin nedavni solo rad \u201eStaying alive\u201c je imao turneju po cijeloj Europi te je prezentiran  i u New Yorku, u SAD-u 2017.godine. www.jasnavinovrski.com<\/a><\/p>\n\n\n\n

Public in Private is a Berlin-based dance company and the umbrella under which the works
of Cl\u00e9ment Layes and Jasna L. Vinovr\u0161ki are produced. Since its foundation in 2008, the Cie
has collaborated with hundreds of venues across Europe and North America, including the
most prestigious ones such as \u201cTheatre de la Ville\u201d (France), \u201cKaai Theater\u201d (Belgium),
\u201cWalker Art Center\u201d (UeA) or the \u201cVenice Biennale\u201d (Italy).
In Berlin, they have worked with the Sophiensaele, Tanzfabrik and Tanznacht and have
performed in Potsdam, Bremen, Hamburg, Chemnitz and many other places in Germany.
Public in Private has been funded by the Berlin Senate or the HKF since 2012 for dance
projects such as \u201cThings That surrounds Us\u201d, \u201cDreamed Apparatus\u201d, \u201cAllege\u201d, \u201cModal Verbs\u201d
and \u201cHealers\u201d. From 2017 until the end of 2021, Public in Private received \u201cbasic funding\u201d
which only a few extraordinary companies in Berlin can receive. In 2011, the Comoanie also
installed a dance studio at Flutgraben, the PIP Studio, which was used for rehearsals, but
also became a venue for events and residencies for other artists with other rooms at
Flutgraben. Since 2020, the studio has hosted a residency program funded by the Berlin
Senate: Flutgraben Residences. Both artists regularly teach in Germany and international
contexts. In 2020, the publication 12 Years Public in Private was released.
www.publicinprivate.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

16. 10. 2024. \u2502 20.00 \u2502GK Zorin dom * STAYING ALIVE \/ OSTATI  \u017dIV @ Jesenska edicija Karlovac Dance Festivala autorica i izvo\u0111a\u010dica: Jasna L. Vinovr\u0161kisuradnici: Mini iPad, knjige \/ mini iPad and the booksPredstava je nastala u okviru projekta “Migrant Bodies”, uz potporu programa Europske Unije Kultura 2007-2013.  Produkcija: Public in Private company \/Berlin,… Continue reading Staying Alive @KDF014<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":2369,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4],"tags":[],"class_list":["post-2367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","category-predstave","entry"],"_links":{"self":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts\/2367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/comments?post=2367"}],"version-history":[{"count":10,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts\/2367\/revisions"}],"predecessor-version":[{"id":2388,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts\/2367\/revisions\/2388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/media\/2369"}],"wp:attachment":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/media?parent=2367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/categories?post=2367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/tags?post=2367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}