{"id":806,"date":"2022-09-23T21:14:35","date_gmt":"2022-09-23T21:14:35","guid":{"rendered":"https:\/\/freedance.hr\/kdf-hr\/?p=806"},"modified":"2024-04-14T19:08:47","modified_gmt":"2024-04-14T18:08:47","slug":"kill-b-kdf012","status":"publish","type":"post","link":"https:\/\/freedance.hr\/kdf-hr\/2022\/09\/23\/kill-b-kdf012\/","title":{"rendered":"KILL B. @ KDF012"},"content":{"rendered":"\n<p><strong>Me\u0111unarodni festival suvremenog plesa i izvedbenih umjetnosti KDF 012<br>KARLOVAC DANCE FESTIVAL<\/strong><\/p>\n\n\n\n<p><strong>Program <\/strong><strong>jesenske<\/strong><strong> edicije<\/strong><\/p>\n\n\n\n<p>Subota, 22. listopada 2022. <strong>\u250220<\/strong><strong>.00 \u2502<\/strong><strong> <\/strong>GK Zorin dom <strong>*<\/strong><\/p>\n\n\n\n<p><strong>&#8221;KILL B.<em>&#8221;<\/em> \u2502 <em>Bruno Isakovi\u0107 i Mia Zalukar (Malo Sutra, Domino)<\/em><\/strong><\/p>\n\n\n\n<p><em>Trajanje: 5<\/em><em>5<\/em><em> min<\/em><\/p>\n\n\n\n<p><strong>Ulaznice za predstave podi\u017eu se na blagajni GK Zorin dom<\/strong><strong>*<\/strong><\/p>\n\n\n\n<p><strong>****<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/1-Kill-B-1024x576.jpg\" alt=\"\" class=\"wp-image-807\" srcset=\"https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/1-Kill-B-1024x576.jpg 1024w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/1-Kill-B-300x169.jpg 300w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/1-Kill-B-768x432.jpg 768w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/1-Kill-B-1536x864.jpg 1536w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/1-Kill-B.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>&#8221;KILL B.<em><strong>&#8221;<\/strong><\/em><\/strong><\/p>\n\n\n\n<p>AUTORI I IZVEDBA: <strong>BRUNO ISAKOVI\u0106, MIA ZALUKAR<\/strong><\/p>\n\n\n\n<p>PRODUKCIJA<strong>: <em>MALO SUTRA, DOMINO<\/em><\/strong><\/p>\n\n\n\n<p>DRAMATURGIJA<strong>: VEDRANA KLEPICA<\/strong><\/p>\n\n\n\n<p>OBLIKOVANJE SVJETLA<strong>: SA\u0160A FISTRI\u0106<\/strong><\/p>\n\n\n\n<p>OBLIKOVANJE VIDEA<strong>: BRUNO ISAKOVI\u0106<\/strong><\/p>\n\n\n\n<p>OBLIKOVANJE ZVUKA<strong>: HRVOJE NIK\u0160I\u0106<\/strong><\/p>\n\n\n\n<p>KOSTIMOGRAFIJA<strong>: ZDRAVKA IVANDIJA KIRIGIN<\/strong><\/p>\n\n\n\n<p>OBLIKOVANJE PLAKATA<strong>: BRUNO ISAKOVI\u0106<\/strong><\/p>\n\n\n\n<p>PREMIJERA<strong>: <\/strong>21.12.2019., <em><strong>ZAGREBA\u010cKI PLESNI CENTAR<\/strong><\/em><\/p>\n\n\n\n<p>PARTNER: <strong><em>ZAGREBA\u010cKI PLESNI CENTAR<\/em><\/strong><\/p>\n\n\n\n<p>FINANCIJSKA PODR\u0160KA<strong>: MINISTARSTVO KULTURE I MEDIJA, GRAD ZAGREB<\/strong><\/p>\n\n\n\n<p>Po\u0161av\u0161i od vrlo konkretnih izvedbeno-vizualnih referenci na kultni film <em><strong>\u2018<\/strong><\/em><em>Kill Bill\u2019<\/em> Quentina Tarantina iz 2003. godine, Mia Zalukar i Bruno Isakovi\u0107 u predstavi&nbsp;<em><strong>Kill B.<\/strong><\/em>&nbsp;kreiraju izvedbenu analizu vlastitog dugogodi\u0161njeg profesionalnog odnosa, propitivanja hijerarhijskih struktura unutar kazali\u0161nog stvarala\u010dkog procesa i odnosa mo\u0107i izme\u0111u dvoje, barem u ideji, ravnopravnih partnera.<\/p>\n\n\n\n<p>I ne slu\u010dajno, Isakovi\u0107 priprema solo za Zalukar, u kooautorstvu s njom, te namjerno gradi dramatur\u0161ki okvir na relaciji odnosa osobnog i simboli\u010dnog. Osobnog kao prostora dugogodi\u0161njeg poznavanja svoje izvedbene partnerice, a simboli\u010dnog kao prostora iscrpljivanja pone\u0161to ironi\u010dno \u010ditanih referenci na jednu od najpoznatijih filmskih protagonistkinja suvremene kinematografije, iza \u010dijeg uspje\u0161nog box offica se, na\u017ealost, krije niz nepravilnosti u funkcioniranju specifi\u010dnog odnosa redatelj \u2013 glumica.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/2-Kill-B-1024x576.jpg\" alt=\"\" class=\"wp-image-808\" srcset=\"https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/2-Kill-B-1024x576.jpg 1024w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/2-Kill-B-300x169.jpg 300w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/2-Kill-B-768x432.jpg 768w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/2-Kill-B-1536x864.jpg 1536w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/2-Kill-B.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Na prvi pogled, <em>\u2018Kill Bill\u2019<\/em> jest film o sna\u017enoj \u017eenskoj protagonistkinji, \u2018Mladenki\u2019, ali ipak li\u0161enoj bilo kakvih obilje\u017eja, osim vizualnih, koji bi je \u010dinili \u017eenom. \u2018Mladenku\u2019 se najbolje mo\u017ee opisati kao krvo\u017eednu osvetnicu nadljudskih sposobnosti, pone\u0161to simplificiranog psiholo\u0161kog profila, ali zato \u010dvrstih moralnih stavova i vrlo privla\u010dnog izgleda. Ona je zabavna fantazija. \u0160tovi\u0161e, ona ima vi\u0161e zajedni\u010dkog sa \u017eanrovskim westernima ili borila\u010dkim filmovima te je definirana kroz viziju mu\u0161kog re\u017eijskog oka. Specifi\u010dnost toga dodatno zamagljuje realno problemati\u010dan odnos Ume Thurman s Tarantinom pri radu na filmu, koji je naknadno izazvao cijeli niz pitanja o granicama i fleksibilnosti prirode odnosa glumice s redateljem, koji \u010dak pri kreiranju na prvi pogled sna\u017ene protagonistkinje, postaje mjesto toksi\u010dne igre mo\u0107i.<\/p>\n\n\n\n<p><a href=\"https:\/\/malo-sutra.hr\/member\/mia-zalukar\/\" target=\"_blank\" rel=\"noreferrer noopener\">Zalukar<\/a>&nbsp;i&nbsp;<a href=\"https:\/\/malo-sutra.hr\/member\/bruno-isakovic\/\" target=\"_blank\" rel=\"noreferrer noopener\">Isakovi\u0107<\/a>&nbsp;u prvome dijelu svog&nbsp;<em>double-billa&nbsp;<\/em><em><strong>Kill B<\/strong><\/em>, analiziraju i razgra\u0111uju taj princip, pune\u0107i jasne i prepoznatljive vizualne reference svojim vlastitim pitanjima i problemima u stvaranju, osobito se pritom fokusiraju\u0107i na svoj specifi\u010dan odnos plesa\u010dice i koreografa. Taj odnos, iako nikad nije doveden do tako ekstremnih situacija kao onih na koje se izvedbeno naslanjaju, za njih intimno uvijek predstavlja potencijal da postane nepodno\u0161ljivi poligon neprestanog pregovaranja (i prigovaranja), nesvjesnog patroniziranja, te konstantne borbe za emancipaciju vlastitog glasa i vizije unutar kompleksnog intimno-poslovnog stvarala\u010dkog procesa.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"809\" src=\"https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/3-Kill-B-1024x576.jpg\" alt=\"\" class=\"wp-image-809\" srcset=\"https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/3-Kill-B-1024x576.jpg 1024w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/3-Kill-B-300x169.jpg 300w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/3-Kill-B-768x432.jpg 768w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/3-Kill-B-1536x864.jpg 1536w, https:\/\/freedance.hr\/kdf-hr\/wp-content\/uploads\/sites\/8\/2022\/09\/3-Kill-B.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>****<\/p>\n\n\n\n<p><em><strong>Festivalski program #KDF012<\/strong><\/em><\/p>\n\n\n\n<p><strong>Program jesenske edicije<\/strong>: 18. &#8211; 22. listopada 2022. u Karlovcu<\/p>\n\n\n\n<p><strong>Vi\u0161e o KDF programima: <\/strong><strong><a href=\"https:\/\/freedance.hr\/kdf-hr\/2022\/09\/23\/kdf012-jesenska-edicija-18-22-listopada-2022-u-karlovcu\/\">Program KDF012 Jesenska edicija<\/a><\/strong><\/p>\n\n\n\n<p>Informacije: <a href=\"mailto:info@freedance.hr\">info@freedance.hr<\/a><\/p>\n\n\n\n<p><strong>Organizacija i produkcija:<\/strong> Centar za plesnu i izvedbenu umjetnost F.R.E.E. D.A.N.C.E. Karlovac<\/p>\n\n\n\n<p><strong>Pokroviteljstvo i financijska potpora:<\/strong> Ministarstvo kulture i medija RH, Grad Karlovac<\/p>\n\n\n\n<p><strong>Tehni\u010dka potpora i suradnja:<\/strong> GK Zorin dom<\/p>\n\n\n\n<p>****<\/p>\n\n\n\n<p><strong>* Ulaznice za predstave podi\u017eu se na blagajni GK Zorin dom<\/strong><\/p>\n\n\n\n<p>30,00 kn (3,98 EUR), za jednu predstavu<\/p>\n\n\n\n<p>20,00 kn (2,65 EUR), u\u010denici, studenti, umirovljenici i organizirani dolazak grupa<\/p>\n\n\n\n<p>(Fiksni te\u010daj konverzije kuna u euro: 7,53450 )<\/p>\n\n\n\n<p>Prodaja ulaznica: Gradsko kazali\u0161te Zorin dom<\/p>\n\n\n\n<p>RADNO VRIJEME BLAGAJNE<\/p>\n\n\n\n<p>Ponedjeljak, utorak, \u010detvrtak, petak: 9 &#8211; 13 sati<br>Srijeda: 9 &#8211; 11 sati, 18 &#8211; 20 sati<br>I SAT VREMENA PRIJE PO\u010cETKA PROGRAMA<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Me\u0111unarodni festival suvremenog plesa i izvedbenih umjetnosti KDF 012KARLOVAC DANCE FESTIVAL Program jesenske edicije Subota, 22. listopada 2022. \u250220.00 \u2502 GK Zorin dom * &#8221;KILL B.&#8221; \u2502 Bruno Isakovi\u0107 i Mia Zalukar (Malo Sutra, Domino) Trajanje: 55 min Ulaznice za predstave podi\u017eu se na blagajni GK Zorin dom* **** &#8221;KILL B.&#8221; AUTORI I IZVEDBA: BRUNO&hellip; <a class=\"more-link\" href=\"https:\/\/freedance.hr\/kdf-hr\/2022\/09\/23\/kill-b-kdf012\/\">Continue reading <span class=\"screen-reader-text\">KILL B. @ KDF012<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":807,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4],"tags":[],"class_list":["post-806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","category-predstave","entry"],"_links":{"self":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts\/806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/comments?post=806"}],"version-history":[{"count":6,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts\/806\/revisions"}],"predecessor-version":[{"id":1025,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/posts\/806\/revisions\/1025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/media\/807"}],"wp:attachment":[{"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/media?parent=806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/categories?post=806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/freedance.hr\/kdf-hr\/wp-json\/wp\/v2\/tags?post=806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}